Over at Engage, David Hirsh has scrutinized, picked apart and provided informed cultural analysis on Shakespeare’s Merchant Of Venice within the context of Habima, and some decidedly non-Shakespearean bigots
“When I see a production of the Merchant of Venice, it is always the audience which unsettles me. The play tells two stories which relate to each other. One is the story of Shylock, a Jewish money lender who is spat on, excluded, beaten up, and in the end mercilessly defeated and humiliated. The other is an apparently light-hearted story about an arrogant, rich, self-absorbed young woman, clever but not wise, pretty but not beautiful, and her antisemitic friends. Shakespeare inter-cuts the grueling detailed scenes of the bullying of Shylock, with the comedic story of Portia’s love-match with a loser who has already frittered away his large inheritance.
Shakespeare offers us an intimately observed depiction of antisemitic abuse, and each time the story reaches a new climax of horribleness, he then offers hackneyed and clichéd gags, to see if he can make us laugh. It is as if he is interested in finding out how quickly the audience forgets Shylock, off stage, and his tragedy. And the answer, in every production I’ve ever seen, is that the audience is happy and laughing at second rate clowning, within seconds. And I suspect that Shakespeare means the clowning and the love story to be second rate. He is doing something more interesting than entertaining us. He is playing with our emotions in order to show us something, to make us feel something.”
Ben White is an anti-Israeli obsessive, who once said he could understand antisemitism.
Since then he and his apologists have indulged in a touch of backtracking, but every now and again his mask slips as with White’s recent tweet which caricatured Howard Jacobson:
“If you need another reason to support a
boycott of Habima, I present a massive
picture of Howard Jacobson’s face
Now you will appreciate that Ben White has nothing against Jews, in fact, some of his best friends are….
Update 1: Just in case the penny drops and White realises the racist implications of his tweet then seeks to remove the evidence:
At the moment I am not much of a theatre goer but I thought this guest post at False Dichotomies asked relevant questions of those who support BDS:
“I tried to talk to the group making their brave stand next to me. I pointed some of the above out, by way of introduction. The women to my immediate left stared vacantly past me, possessed of her own righteousness. “What of the 5 million Palestinians who don’t have a voice”, she said to herself, as I attempted to find out what she knew of the siege of Nahr El-Bared by the Lebanese army in 2007 as compared with the Battle of Jenin in 2002 – whether, as people often wonder, Palestinian suffering counts when it is inflicted by the Lebanese, or Syrians, or Jordanians, or themselves – by anyone, in fact, but the Jews.
Perhaps the best one of the night – and this is not saying much – came when a man stood up and pompously intoned “do the Palestinians not have eyes” and “if you prick us, do we not bleed” as he was taken out. Someone told him to piss off, to gales of laughter. As Shylock hesitated on stage, a voice cried out for him to carry on, “we’re all with you”. And, bar a lone woman shouting out that Israel was an apartheid state built on stolen Palestinian land in the street outside, that was it. To her, and all the others I saw in action tonight, I would ask the following questions.
Why are you unable, for the most part, to engage in rational discussion with people about the issues you protest? Why does the BDS movement appear to reject a solution that reflects the aspirations of both peoples for independence and self-determination?
Why is your “justice” so partial, so one-sided?
Why are you so palpably consumed by hatred?
Why do you never, ever, address the appalling treatment of the Palestinians by the countries in which they are left to rot in refugee camps? Why do you not recognise that it is impossible to turn the clock back to 1948? Why are you so obsessed with the need to self-aggrandize yourself in actions which merely make you look foolish and ignorant and do nothing to contribute to a better future for the people you purport to represent? ” [my emphasis.]
Some Israelis want to perform a Hebrew version of the Merchant of Venice in Britain.
Not unsurprisingly some members of the English intelligentsia are annoyed.
Some thespians would like to attack the Israeli government, but can’t, so they settle for attacking Israeli actors.
Apparently, the National Theater of Israel is guilty of some crimes in the eyes of these members of the English intelligentsia.
Even the actors’ trade paper, The Stage, puts a negative spin on the matter.
Astute readers will notice, however, an almost deafening silence when it comes to the National Theatre of China.
There’s no talk by English ‘lovies’ of China’s colonisation of Tibet, the invasion some 60 years ago nor of the murderous treatment of Tibetan civilians.
None of that resonates with said hespians, but should some Israelis want to perform a play in Hebrew then all hell breaks loose.
Engage describes the issues.
The Stage’s welcoming article on the collaboration of Scotland and China’s National Theatres in 2010.
I do hope that those genuinely concerned with human rights will inform themselves on China’s rule in Tibet and avoid posturing.